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      Dr Annette Van Den Bosch
BA PhD <Syd>

 
 

Lecturer ,    Faculty, Monash University , ( Program)
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Work: (03) 9905 4225
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Teaching Research Twentieth-century art in Europe North America and Australia; women’s art history; the sociology of art and the art market; feminist theory; arts and cultural policy in Australia and North America. Consulting And Other Publications Contributing Editor to Fontana Dictionary of Modern Thought. 2002 edition. Eds Allan Bullock and Stephen Tromley. Fontana London. 2002. Articles on Art History Museology Commodification The Gaze and Simulacrum . Irene Barberis-Unveiling the Apocalypse . Art and Australia 40 1 Spring 2002 pp.118-125. “Does globalisation expand or limit the creative opportunities of artists in different parts of the world? How does globalisation transform the nature of art markets around the world with what consequences for artists as they seek to make their reputations and careers and with what consequences for the art they produce?” Culture 17 1 Autumn 2002. Interactions between Australia and Japan: Art Artists and Aesthetics . in Transition: Changing Society and Art AICA Japan Fumio Nanjo and Associates Tokyo. 1999. Review: Going for Broke: women s participation in the arts and cultural industries by G. Johnson and P. Wise . Culture and Policy no. 91 May 1999. Ghosts in the Machine: Women and Cultural Policy in Canada and Australia. Co-edited with Alison Beale. Garamond Press Toronto 1998. Arts Policy and Funding in the United States: Some Critical Perspectives . Journal of Cultural Policy (European) 3 2 1997 pp.305-322. Art Audiences and Art Funding: contemporary relationships between art and business in Australia . In Art and Business: An International Perspective on Sponsorship. Ed. R. Martorella. Praegar Westport. CT 1996. Review: The Sydney Arts Patronage System: 1880-1940 by Heather Johnson The Australian Antique Collector December 1997. Elizabeth Montree-Zaleski the Prison Series catalogue essay Old Melbourne Goal National Trust August 1997. Elizabeth Cummings a Retrospective catalogue essay Campbelltown City Art Gallery NSW August 1996. ,

 

 

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